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1、拓邦部落設(shè)計聯(lián)盟在中國的東海之濱溫州永強，曾經(jīng)的魚米之鄉(xiāng)，創(chuàng)造了一個極具大海意向的海鮮餐廳。永 強順風(fēng)樓是一家根植于當(dāng)?shù)兀哂腥迥隁v史的老牌海鮮餐廳。在創(chuàng)始35周年之際，永強順風(fēng)樓決定進(jìn)行 一次勇敢的自我顛覆與革新，邀請我們?yōu)槠浯蛟煲患胰赂泄袤w驗的海鮮餐廳。我們希望向大海致敬，借鑒 印象派音樂大師德彪西于20世紀(jì)初創(chuàng)作的大海交響樂解構(gòu)物質(zhì)空間，制造一系列有關(guān)大海的通感體驗，為永強順風(fēng)樓海鮮館演奏一首蔚藍(lán)大海的印象主義交響樂。TOPOS DESIGN CLANS announced their latest project,a seafood restaurant in Yongqiang2、 Wenzhou,on the eastern coast of China,with a theme inspired by the ocean beside the city.Shunfenglou Restaurant is a well-known local seafood restaurant with a history of 35 years.When it comes to the 35th anniversary,the owners of the restaurant decide to make a brave self-subversion and innovatio3、n,they entrust us to create a new sensory experience for the seafood restaurant.In order to play an impressionist symphony of the blue sea for the new restaurant,we learn from the symphony“La Mer”composed by French musician Claude Debussy,who is the impressionist music pioneer,to deconstruct the mat4、erial space,reconstruct a series of sensorial experience about the sea.順風(fēng)順風(fēng)樓海樓海鮮館鮮館，溫州，溫州/拓邦部落拓邦部落設(shè)計聯(lián)設(shè)計聯(lián)盟盟蔚藍(lán)大海的印象主義交響樂銀色鋁板構(gòu)成的餐廳外立面，the facade that is made of silver aluminum panels with glass-curtain walls前奏：大海啊，故鄉(xiāng)|Prelude:The Sea in Homeland永強，舊稱永嘉場，位于浙江溫州東部甌江入海口，古有“東甌之地”的說法，今屬溫州市龍灣區(qū)。公元前2世 紀(jì)的西漢初年，永5、強平原仍是一片汪洋海域，古稱歧海。溫州地區(qū)三面環(huán)山，一面向海。當(dāng)?shù)赜芯涔耪Z，“水 路一條”，溫州方言“水”與“死”同音，寓意“死路一條”。向死而生，大海是溫州人“敢為天下先”的拼搏精神的 起點。農(nóng)耕時代的溫州永強人以勤奮熱情著稱，他們靠海吃海，種田、打魚、曬鹽。由于超負(fù)荷的勞作，當(dāng)?shù)匦纬?了“一日五餐”的獨特習(xí)俗：起床吃“天光”，中午吃“日晝”，下午吃“接力”，傍晚吃“黃昏”，夜晚吃“小接”，而 海鮮自然成了最重要的食材。永強順風(fēng)樓以提供新鮮的海鮮食材和地道的海鮮烹飪聞名遐邇，從35年前第一 代掌門人的小店鋪，至如今第二代掌門人的海鮮館，我們要在此次的設(shè)計中向故鄉(xiāng)的大海致敬！Yongqiang6、 is located at the mouth of Oujiang River in the east of Wenzhou,Zhejiang province.It is surrounded by mountains on three sides and faces the sea on the east side.Therefore,seafood naturally becomes the most major food materials.Shunfenglou Restaurant has a high reputation for reliable quality of fr7、esh seafood.We believe that a good restaurant is the place where could offer both delicious food and enjoyable dining atmosphere.入口立面，entrance facade第一樂章：海上的黎明到中午|Allegro:From Dawn to Midday on the Sea基地位于新建成的溫州機場航空總部大樓的裙房一樓，該樓的主要功能為企業(yè)辦公，外立面被銀色的鋁板幕 墻覆蓋，缺乏基本的商業(yè)氛圍。尊重大樓物業(yè)的要求，我們沿用了銀色鋁板作為外立面改造的主材，并決定 用最輕8、巧的動作來展現(xiàn)一種驚喜但又克制的豐富。The site of the restaurant is located on the ground floor of the newly built high-rise near Wenzhou airport,which was originally designed to be an office building.The facade is covered by silver aluminum panels with glass-curtain walls,lacking of a shopping mall like atmosphere.Ab9、iding the regulations of the property management,we can only choose the silver aluminum panels as the main material for the facade renovation.However,we prefer making something unique and different,which will be a highlight for this building.外立面圖解，faade diagram我們與視覺設(shè)計師合作，為順風(fēng)樓海鮮館設(shè)計了一個魚鱗形態(tài)的圖案。我們與施工團(tuán)隊合10、作，制定了從上至 下隨機減少圖案數(shù)量的宏觀漸變原則，使用機床加工的精細(xì)模具預(yù)制穿孔鋁板。每一片鋁板由相同的子圖案 組合排列，類似而又不相同。當(dāng)所有的預(yù)制穿孔鋁板安裝完畢，背光亮起，移步望去，這分明是一片波光粼粼的海平面。We worked with our visual designer to create a pattern of fish scale as the essential visual element.Our parametric design team developed a code-base principle,which would randomly reduce th11、e patterns density from top to bottom,to make gradient waving effects.In cooperation with the construction team,we prefabricated the perforated aluminum panels,each piece of them is arranged by the same combination of sub-patterns,similar but different.When all the pre-made panels are installed and 12、lightened,it feels like lost in the shimmering deep sea.鋁板立面肌理，pattern of perforated aluminum panels懸挑雨棚下的主入口，一組金色的光芒出現(xiàn)。金色的鋁合金大門，點亮了大樓的一片沉悶暗灰。透過玻璃，清晨的薄霧消散，我們創(chuàng)造了一個抽象的太陽：一組高低起伏的立體像素像光一樣向四周彌漫，仿佛要從大 海中徐徐升起。There is a mass of golden light shining from the main entrance under the hanging canopy.The golden13、 gates stand in the middle of the faade,becoming the spotlight among the depressing dark gray.Behind the glass,there comes a cluster of undulating three-dimensional pixel-like boxes radiating around,as if it were the sun rising slowly from the sea.金色的入口大廳，golden lobby第二樂章：波浪的游戲|Andante:Play of the W14、aves在顧城的詩歌弧線中，我們閱讀到了豐滿的動態(tài)美感與速度；如同在德彪西的大海交響樂中，我們 聆聽到了大海的各種情緒，呼吸與色彩。向偉大的詩人和音樂家致敬，我們在內(nèi)部空間的設(shè)計中精心植入了 不同維度的流動空間體驗。這不僅僅是似是而非的空間與形式的游戲，更是知覺與感官的建筑學(xué)轉(zhuǎn)譯。In Gu Chengs poem“arc”,we read the full dynamic beauty and speed of arcs;just like in Debussys symphony“La Mer”,we listened all the emotions,breathings and col15、ors of the sea.To archive fluid interior space,we have carefully made rounded corners and smooth forms in different dimensions and positions.It is not only a sophisticated game of space and form,but also an architectural translation of perceptions and senses.用餐大廳，central dining hall大廳的鋁板墻，aluminum p16、artitions in the central hall我們希望創(chuàng)造一個清晰而流動的迷宮。首先，兩片連續(xù)的穿孔鋁板墻體延續(xù)了外立面的肌理，內(nèi)側(cè)的包廂圍 合出居中的大廳，這是海浪的邊界。然后，一片連綿起伏的穿孔鋁板屏風(fēng)以半圓的邊界分離散座區(qū)與點菜 區(qū)，不同的高度微妙的控制著空間的透明度。最后，一個向四周開放的中央吧臺，猶如一座發(fā)光的燈塔矗立 于大洋之中。游弋在水磨石地面的魚群，作為空間中唯一具象的存在，為在這片洋流中的潛泳者導(dǎo)航。由 此，我們完成了對這個1500平方米不規(guī)則空間的整形手術(shù)，同時呈現(xiàn)了一個海納百川的流體容器。The prototype of the space is a flow17、ing labyrinth with perceptible paths.Firstly,it starts with the boundary of the ocean waves:two continuous perforated aluminum partitions extend the texture of the facade,with the hidden rooms behind enclose the central hall.Secondly,it goes on with a melodious semicircle screen made by perforated a18、luminum panels,separating the seating area and the ordering area.Finally,an open central lounge bar is like a lighthouse standing in the middle of the ocean,together with several shoals of copper fish schooling on the terrazzo floor,both of them navigate the circulation.As a result,we transform this19、 1,500 square-meter irregular space into a dynamic fluid container.散座區(qū)，seating area向四周開放的中央吧臺，the open central lounge bar第三樂章：風(fēng)和海的對話|Presto:Dialogue of the wind and the sea一系列大自然意向在空間中以隱喻蒙太奇形成裝置：入口門廳的起伏波浪，玄關(guān)對景墻的像素之光，大廳吊 頂?shù)那婢W(wǎng)格。它們像風(fēng)吹過大海，像船體的龍骨結(jié)構(gòu)，像大魚美味的肚腩，最終完成對空間的最終定義。私密的包廂空間，猶如避風(fēng)港暗藏在銀色鋁板包裹的海浪背后。大宴會廳的20、連續(xù)大跨拱，提供了類似船艙內(nèi) 部的空間體驗。衛(wèi)生間隱藏在三維大拱洞背后，五道連續(xù)的小拱門，暗藏了男女衛(wèi)生間的入口以及三個帶船 艙圓鏡回憶的洗手臺。A family of form-finding installations of nature is organized as a series of metaphorical montage:the waving ribs encircling the lobby,the pixel lights covering on the front logo wall,together with the curved grid ceiling hangi21、ng in the dining hall.All of them are simultaneously the natural images of the sea:like the wind blowing through the sea,like the keel structure of the fishing-boat,and like the delicious belly of marine fish.Finally it defines the entire space.The parallel arrangement of five large arches in the VI22、P ballroom brings a spatial experience similar to the cabin on a boat.The toilet is hidden behind fives parallel arches,the two on both sides are the mens and womens bathrooms and three in the middle are washstands with round mirrors.宴會廳，private rooms in the VIP ballroom into one宴會廳拱隔斷，private room 23、arc partitions衛(wèi)生間拱門，toilet arch doors衛(wèi)生間洗手臺，toilet washstands我們有金色，有銀色，還要有藍(lán)色。多種藍(lán)色在空間中以不同的材料，不同的功能出現(xiàn)。深海藍(lán)的烤漆拱 門，海軍藍(lán)的涂料背景墻，深天藍(lán)的皮革餐椅，讓空間沉浸在層次豐富，溫柔無限的蔚藍(lán)海洋之中。The sea is more blue rather than gold and silver.A wide variety of blue colors emerges with different materials for different purpose.The baking-fin24、ish arch doors in deep-sea blue,the painting wall in navy blue,the leather chair in deep sky blue,all of them render the space like the tender and infinite blue ocean.金色、銀色、藍(lán)色與拱，gold,silver,blue and arches終曲：這就是大海！|Finale:The Sea，it is!拓邦部落設(shè)計聯(lián)盟相信設(shè)計的力量，信奉現(xiàn)實主義烏托邦，致力在平凡的生活中創(chuàng)造美好。這次我們在設(shè)計 中向大海的致敬，既是為永強順風(fēng)樓25、追溯傳統(tǒng)與歷史的榮耀，又是以當(dāng)代設(shè)計精神師法自然的勇敢嘗試。開 業(yè)以來，除了品質(zhì)不衰的地道海鮮，永強順風(fēng)樓海鮮館又讓當(dāng)?shù)厝硕嗔艘粋€念想，組團(tuán)去看看就在身邊卻已 忘記的大海。二十世紀(jì)初的巴黎，一位多年未見大海的紳士在聽完大海交響樂的首演后，他贊嘆 道：“哦！這就是大海！”是的，這就是大海！TOPOS DESIGN CLANS believe in the philosophy of realistic utopia,we create good in the real world.In this particular design,we pay tribute to the sea,which 26、is not only tracing back for the glory of the tradition and history,but also a brave attempt to learn from nature with the spirit of contemporary design.Since the opening,the new restaurant has remind the local people of the culture of the sea,which they almost forget but still remain in their blood27、.At the beginning of the twentieth century,after listening to the premiere of the symphony of“La Mer”in Paris,a gentleman who had not seen the sea for years exclaimed:“Oh!This is the sea!”Yes,the sea,it is!空間細(xì)部，details軸測動圖，axon gif平面圖，floor plan空間圖解，form&nature diagram項目信息 設(shè)計單位：拓邦部落設(shè)計聯(lián)盟 主持建筑師：林晨設(shè)計團(tuán)隊28、：呂杰，朱劍鳴，盧麗媛，葉馨怡（實習(xí)）視覺設(shè)計：SHUN Design燈光顧問：章海貝 建筑攝影：胡義杰施工單位：上海淵橫建筑工程有限公司項目名稱：順風(fēng)樓海鮮館 項目地址：中國，浙江省，溫州永強 項目規(guī)模：室內(nèi)使用面積1500平方米 設(shè)計時間：2018年7月至9月 施工時間：2018年9月至12月材料：不銹鋼，沖孔鋁板，鋁塑板，銅，水磨石，地磚，石英石，墻紙PORJECT INFORMATIONArchitect Firm：TOPOS DESIGN CLANS Principle Architect：LIN ChenDesign Team：LV Jie,ZHU Jianming,LU Liyu29、an,YE Xinyi Graphic Design：SHUN DesignLighting Consultant：ZHANG Haibei Photographer：HU YijieConstruction Firm：YUANHENG Decoration Project Name:SunFengLou Seafood RestaurantProject Location:Yongqiang，Wenzhou City,Zhejiang Province,China Project Area：1500 m2Design Period：2018.07 to 2018.09 Construction Period：2018.09 to 2018.12Materials:stainless steel,aluminum plate,aluminum plastic plate,copper,terrazzo,floor tiles,quartzite,wallpaper