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1、1福州陽光城茶室售樓中心YANGO FUZHOU SALES CENTER&TEAHOUSE建筑擴初+室內概念ARCHITECTURE SCHEMATIC&INTERIOR CONCEPT01 城市紀念物URBAN ARTIFACTS02 案例參考CASE STUDIES03 設計概念ARCHITECTURE04 室內概念INTERIOR CONCEPT2S A L E SC E N T E RURBAN ARTIFACTS城市紀念物013S A L E SC E N T E R如果使用考古學家的眼光來觀察，我們將會在建筑的表面與遺跡背后發現我們文化中最 有價值的痕跡。“IF WE COULD2、 ONLY SEE WITH THE EYE OF THE ARCHAEOLOGIST.WE WOULD FIND BEHIND THE FACADES AND FRAGMENTS OF ARCHITECTURE THE FIGURES OF THE OLDEST HEROES OF OUR CULTURE.”-ALDO ROSSI(ITALIAN ARCHITECT,1931-1997)4S A L E SC E N T E R城市的屬性THE GENERIC CITY5S A L E SC E N T E R現代福州MODERN FUZHOU6S A L E SC E N T E R歷史城3、市THE HISTORICAL CITY7S A L E SC E N T E R歷史福州HISTORICAL FUZHOU8S A L E SC E N T E R9“紀念性建筑以持久的物質方式存在于城市中，也具有永恒的象征意義。這座建筑的經 久不衰源自它構筑城市的歷史與文化，存在與記憶的能量及包容度。”“A MONUMENT PERSISTS IN THE CITY BOTH SYMBOLICALLY AND PHYSICALLY.A MONUMENTS PERSISTENCE OR PERMANENCE IS A RESULT OF ITS CAPACITY TO CONSTITUTE 4、THE CITY,ITS HISTORY AND ART,ITS BEING AND MEMORY.”-ALDO ROSSI(ITALIAN ARCHITECT,1931-1997)永久性|臨時性PERMANANCE|EPHEMERALITYS A L E SC E N T E R新方案THE HOUSED ARTIFACT10S A L E SC E N T E RCASE STUDIES案例參考0211S A L E SC E N T E R北京集美組 重慶云會CLOUD-GATHERING CLUBHOUSE,CHONGQING,BEIJING NEWSDAYS參考案例:售樓中心SALE5、S CENTER CASE STUDY:INTEGRATING AN OLD TEAHOUSES A L E SC E N T E RSKY LIGHTSKY LIGHTINTERIOR WALLTEAHOUSEGLASS FACADE12合肥北城中央公園文化藝術中心CULTURAL CENTER OF BEICHEN CENTRAL PARK,HEFEI,SHENZHEN HUAHUI DESIGN參考案例:售樓中心SALES CENTER CASE STUDY:JOURNEY TO AND FROM THE COURTYARDS A L E SC E N T E RCOURTYARDCOU6、RTYARDCORRIDORMASS1303ARCHITECTURE概念14S A L E SC E N T E R基地調研|福州SITE RESEARCH|FUZHOU中國CHINA福州FUZHOU鼓樓GULOU15S A L E SC E N T E R基地調研|老房子PROJECT CONDITION|INTEGRATE OLD HOUSE16S A L E SC E N T E R在傳統茶文化中，從入口到茶室的路徑往往會成為設計 中最重要的部分。經典的做法是，道路會從正門開始，最終將人引向茶室的側門。IN THE CLASSIC ART OF THE TEA,THE PATH THAT7、 LEADS FROM THE ENTRANCE TO THE TEAROOM FORMS A FUNDAMENTAL DESIGN CONCEPT.TRADITIONALLY THE PATH WOULD LEAD FROM THE ENTRANCE THROUGH THE GATE AND EVENTUALLY TO THE SLIDING DOOR OF THE TEAHOUSE茶室的道路PATH TOWARDS THE TEAHOUSE17S A L E SC E N T E RTHE GARDEN AS ARCHITECTURE游程體會THE JOURNEY18S A L E SC 8、E N T E R阿爾多凡埃克的桑貝克公園經常作為紙建筑的 一個主要參考之一。它是一個用來檢驗圖形與不可居住 空間之間的空間實驗。通過六面平行的直墻作為引導，同時采用彎矩和斷裂來創造成展覽空間。THE SONSBEEK PAVILION BY ALDO VAN EYCK WAS A SPATIAL EXPERIMENT TO TEST THE RELATION BETWEEN THE DIAGRAM AND INHABITABLE SPACE.THE SUBJECT IS GUIDED THROUGH SIX PARALLEL STRAIGHT WALLS WHICH AT MOMENTS C9、URVE AND BREAK TO CREATE EXHIBITION SPACES.松斯貝克雕塑展廳SONSBEEK PAVILION19S A L E SC E N T E RSONSBEEK PAVILION|ALDO VAN EYCK墻體為建筑空間THE WALL AS SPACE20S A L E SC E N T E R概念圖解CONCEPT DIAGRAMCARVED SPACES INTO A SOLID BASE體量切分形成實體底座21S A L E SC E N T E R意向圖CARVED MASS22S A L E SC E N T E R概念圖解CONCEPT DIA10、GRAMGIVING THE OLD TEAHOUSE A NEW ROOF給舊茶室一個新屋頂23S A L E SC E N T E R意向圖ICONIC ROOF24S A L E SC E N T E R軸側分析圖AXONOMETRICCARVED BASE 實體底座COPPER MESH 銅網格RED CONCRETE ROOF 混凝土屋頂COPPER MESH 銅網格OLD STRUCTURE 舊結構25S A L E SC E N T E R主要調整MAJOR ADJUSTMENTSMAJOR ADJUSTMENTS1.BASEMENT LAYOUT REVISED FOR BET11、TER STRUCTURAL ALIGNMENT2.MAIN ENTRANCE MOVED TO SOUTH+SECONDARY SIDE ENTRANCE3.ARRIVAL EXPERIENCED IMPROVED4.CONSULTATION SEATING BY MODEL ADDED5.THEATRE SPACE MADE ENCLOSED6.DINING AREA RELOCATED TO 2F INSIDE OLD HOUSE7.WINE CELLAR STUDIES ADDED8.INCREASED OPENINGS主要調整1.調整地下一層平面布局，使得平面形式上下連貫，并增強入口12、的儀式感2.主入口移至南側，新增東側次入口3.地下1層和1層人口進行了調整，提升了入口儀式感4.模型區增加了供洽談使用的座位組5.影視廳改為封閉式6.用餐區調整至2層（在老房子內）7.酒窖已按照酒莊概念更新8.增加了外立面的開孔/窗戶26S A L E SC E N T E R外觀EXTERIOR27S A L E SC E N T E RSCALE=1:250負1層平面圖PLAN B112345691087871.ARRIVAL DESK2.ELEVATOR LOBBY3.WINE CELLAR4.SUNKEN GARDEN到達門廳 電梯廳 酒窖下沉花園5.PREP KITCHEN6.BAT13、HROOMS7.OFFICES8.MEETING ROOM備餐間/廚房 衛生間辦公室 會議室9.STORAGE10.PARKING儲藏室 停車場91028S A L E SC E N T E R23910108811127716451SCALE=1:2501層平面圖PLAN L11.ENTRY2.RECEPTION3.LOUNGE4.BAR入口 接待區 休息室 吧臺5.TEA AREA6.SCREENING7.VIP AREA8.ELEVATOR LOBBY茶室 影視廳VIP 包間 電梯廳9.MODEL SPACE10.CONSULTATION11.MULTI FUNCTION12.PRODU14、CT DISPLAY模型區 洽談區 多功能室 產品展示29S A L E SC E N T E RSCALE=1:2502層平面圖PLAN L21.STAIRS樓梯2.CONSULTATION AREA洽談區3.PRIVATE DINING餐廳11332230S A L E SC E N T E R庭院COURTYARD31S A L E SC E N T E R南立面SOUTH ELEVATIONSCALE=1:25032S A L E SC E N T E R剖面圖LONG SECTIONSCALE=1:25033S A L E SC E N T E R主要入口ARRIVAL34S A L15、 E SC E N T E R東立面EAST ELEVATIONSCALE=1:25035S A L E SC E N T E R剖面圖SHORT SECTIONSCALE=1:25036S A L E SC E N T E R夜景圖SIDEWALK AT NIGHT37S A L E SC E N T E R04INTERIOR CONCEPT室內概念38S A L E SC E N T E R現代性拒絕墻體作為結構的元素，而卻接受“架空柱子”的靈活 性。闡述了巴塞羅那館非承重墻的設計原則，密斯設計了柱網與 分隔墻相互獨立的空間結構。MODERNITY REJECTED THE WALL A16、S A STRUCTURAL ELEMENT.FOR THE BARCELONA PAVILION MIES DESIGNED A SPATIAL CONFIGURATION IN WHICH THE COLUMN GRID AND THE ROOM DIVIDING WALLS FORM INDEPENDENT ELEMENTS.巴塞羅那館|密斯凡德羅BARCELONA PAVILION|MIES VAN DER ROHE39S A L E SC E N T E RBARCELONA PAVILION|MIES VAN DER ROHE室內意向INTERIOR REFERENCE40S A 17、L E SC E N T E R概念圖解CONCEPT DIAGRAMINSERTED OLD TEAHOUSE STRUCTURE WRAPPED IN COPPER MESH TO DEFINE SPACES AND ROUTE嵌入的舊茶室結構用銅網格包裹來定義空間和路線41S A L E SC E N T E R室內意向INTERIOR REFERENCE42S A L E SC E N T E R室內意向INTERIOR REFERENCE43S A L E SC E N T E R層模型區1F MODEL SPACE44S A L E SC E N T E R2層洽談空間2F CON18、SULTATION AREA45S A L E SC E N T E R2層私用餐區2F PRIVATE DINING46S A L E SC E N T E RWINE CELLAR:(SECTION OR PERSPECTIVE)B1停車入口接待廳B1F ARRIVAL LOBBY47S A L E SC E N T E RB1層酒窖意向B1F WINE CELLAR REFERENCE48S A L E SC E N T E RB1層酒窖B1F WINE CELLAR49S A L E SC E N T E R安東尼德圣不求恒久遠，只求意未盡。埃克蘇佩里WE DONT ASK TO BE19、 ETERNAL BEINGS,WE ONLY ASK THAT THINGS DO NOT LOSE ALL THEIR MEANING.ANTOINE DE SAINT-EXUPERY50S A L E SC E N T E R1 Distribution Room#1 配電室2 Distribution Room#1 配電室Ring Circuit Room環網室Generator發電機房Property Office物業Commercial商業Centralized Commercial集中商業YangoFZ Teahouse MEP,Property,Commercial Space Requirements配電房，物業，商業要求May 22,2019Program功能Area(m2)面積Location位置Notes備注11431F2741F3601F4261F5441F63141F74811FTotal1142配電房,物業,商業 面積要求MEP,PROPERTY,COMMERCIAL AREA REQUIREMENTS51S A L E SC E N T E R